The official cover of La Muerte Dorada is finally complete.
When I looked at it, I felt the same vibration that comes from Revell’s Santa Muerte: an ancient call, a step you cannot avoid. This book is not just a new narrative arc… it is a
rite of passage. It is more mature, harsher, and truer than anything I have written before. It is consuming me and, at the same time, consecrating me.
In parallel, I am refining Silent Gods, currently at chapter 26.
The restructuring feels almost liturgical: dismantling, rebuilding, purifying.
Rhea, our Ink Priestess, is no longer just a character. She is a symbol. One of the three protagonists of the new book. A presence that guides, observes, and judges.
La Muerte Dorada is a story that offers no mercy: visceral, human, raw. It does not try to be beautiful. It tries to be necessary.
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Silent Gods closes the Norse arc. The gods will receive their ending, the one they deserve. Every dynamic will find its place, like a circle finally closing. And while I prepare the
drafts of the new book… the intensity feels as if it were carved from an altar of bones. Raw, alive, relentless.
Summer has ended. And there is no better way to step into autumn than through this new path.
“Life is only a dream along the road of death,” a film once said.
That dream has become flesh for me. And I hope you can walk inside it as well, without fear.
I want to say this with complete sincerity: the restructuring of Silent Blood, Silent Within, Silent Return, Silent Death, and Silent Gods was not a whim.
It was an obligation.
A gesture of respect toward those who follow me, who give me their time. I wanted to offer something that wasn’t commercial, but ritual.
Something with a soul.
Silent Gods still needs a few more days to be refined the way I want. But in September, the path opens. And I hope you will feel every step, every shadow, every breath of this
new journey.
01/09/26 🖤
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